The Prisoner, a reinterpretation of the 1967 British cult classic, follows Michael (Jim Caviezel, Passion Of The Christ), who after resigning from his job finds himself inexplicably trapped in The Village, a town where people have numbers instead of names. Michael (now called "Six") struggles to hold on to his identity as he engages in a battle of wits with The Village leader, Two.
Episodes Comprise:
1. Arrival
2. Harmony
3. Anvil
4. Darling
5. Schizoid
6. Checkmate
The six one-hour episodes tell the story of a man who finds himself trapped in a mysterious and surreal place known as The Village, with no memory of how he arrived there. As he frantically explores his environment, he discovers that its inhabitants are identified by number instead of by name and have no memory of a prior existence or outside civilization. Not knowing who to trust, Number Six is driven by the desperate need to discover the truth behind The Village and, more importantly, how he can survive and escape to his previous life.
The Village is controlled by one man - the sinister and charismatic Number Two (Ian McKellen). In each new episode, Six (Jim Caviezel) and Two are locked in a battle of wits, as Six challenges the oppressive nature of The Village and battles against his captors.
McKellen and Caviezel are joined by an all-star supporting cast including Hayley Atwell (The Duchess, Brideshead Revisited), Jamie Campbell-Bower (New Moon, Harry Potter and the Deathly Hallows), Ruth Wilson (Jane Eyre, Small Island), Lennie James (Outlaw) and Rachael Blake (Clapham Junction).
In the 1960s, The Prisoner helped permanently alter the scope of the fantasy genre. Through the work of Patrick McGoohan - who created, produced, wrote and directed the series, and starred in the lead role of Number Six - The Prisoner is widely viewed as one of the most well regarded and intriguing cult TV series ever created.
While the original series, which debuted in 1967, was a riff on Cold War politics, the Prisoner in 2010 will reflect 21st century concerns and anxieties, such as liberty, security and surveillance, yet also showcase the same key elements of paranoia, tense action and socio-political commentary seen in McGoohan's enigmatic original.
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